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Archive for the ‘Spotlights’ Category

mtlaurel
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Here are some pictures I took of a special exhibit at the Rutgers Law Library in 2013, focused on the Mount Laurel doctrine, its history, and its legacy. I just discovered them while I was going through old photos, and thought they might be of interest to some readers. Incidentally, I was in John Payne’s Con Law class during his last semester of teaching at Rutgers. His untimely death was jarring for those of us who were in his class. Interesting fact: he and his wife lived in a Frank Lloyd Wright house, in Glen Ridge.

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Was up on the walkway of the Manhattan Bridge. The view is really incredible, especially of the rooftops of Chinatown, and the lower stretch of the East River. The walkway sways a little bit in the wind, and — there are subway tracks right beside it — it really shakes when a subway goes by. It’s much less touristy than the Brooklyn Bridge, and still reminds me a little bit of how the city was in the 80s and early 90s: lots of graffiti, neglected infrastructure, homeless people. I saw three street people getting high, and another lying flat on the walkway.

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Federal Reserve Bank of New York
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The Federal Reserve Bank of New York is a truly incredible landmark. Completed in 1922 in the style of a Florentine palazzo, this stone fortress was built to house the most important regional branch of the Fed. Its design served the secondary purpose of communicating the solidity of American banking under the Federal Reserve System. The smooth-faced, rusticated masonry alternates between blocks of gray and tan, conveying something that cannot be moved, while hinting at the silver and gold that still backed up American currency at the time.

Tours of the interior are available, but tickets can be hard to come by. Once there, the Fed requires that you take part in a guided tour, which runs about an hour. Honey and I went one day last summer. Although such tours are not my favorite approach to exploration, I found this one incredibly interesting. The guide provided a short history of the Federal Reserve System; the construction and architecture of the building, itself; and a tour of the active gold vault, deep below Liberty Street. Unfortunately, the Fed has a very strict prohibition on photography within the building (under penalty of camera confiscation).

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Around the Hoboken Rail Yard

Just some night photos from the Hoboken rail yards and surrounding blocks. (Click on the above photo to see my full album.)

As much as Hoboken has become a bland commuter city, a lot of the industrial-era infrastructure survives. The waterfronts in Hoboken, Jersey City, and Weehawken once served as a break-of-bulk point for all rail lines coming back to Port of New York from the American interior. In the 19th century, passengers and freight bound for New York City would leave the rails at these stations along the New Jersey waterfront to be ferried across the Hudson River to Manhattan. In the early 20th century, the Hudson Tubes made passenger service into Manhattan possible; and, later, the tunnels to Penn Station allowed the main lines to enter the city. Today, the PATH system still links the sites of three of the old New Jersey terminals: Hoboken (once the Delaware, Lackawanna & Western terminal), as well as Newport (once the Erie terminal) and Exchange Place (once the Pennsylvania Railroad terminal). Here is a map by James R. Irwin, showing the old setup:

new_york_city_railroads_ca_1900

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Cities Service Building
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Surrogates Court
One the most striking buildings in the New York Commons area, the Surrogate’s Courthouse was begun in 1899. In addition to housing the Manhattan probate court it is home to the municipal archives and is therefore sometimes called the Hall of Records.

The Surrogate’s Courthouse has some of the city’s most ornately detailed interior masonry, including heavy columns that support a mezzanine that encircles a soaring atrium. Building materials include variegated colored marble, like something out of classical antiquity. Natural lighting is sparse, and late-Victorian lamp fixtures do not fully compensate. It is enough to create a pervasive gloominess throughout the building. Together, these elements set the tone of its echoing corridors, which comprise a labyrinth of beautiful but eerie spaces — so fitting for a courthouse of this jurisdiction. This building is about death and dusty records, and its architecture reflects those cold facts through darkness and weight, but it also captures the somber and transcendent role of the law in making permanent the legacies of those who are gone. To be anodyne was not a priority in 1899.

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Canal Street
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